The advent of inexpensive equipment that allows for even more photographers to produce photography. I paid nearly $4,000 for a Nikon D1H in 2004. I recently picked up a D300 that is nearly 20 times the camera for $1700. And don't forget to add inflation, it would be over $4,700. I remember buying a Nikon N90s film camera for about $1,000 in 1994 and thought it was unreasonable. Boy, was I wrong. The Kodak DCS420 was about $12,000 in 1994. Your cell phone now has twice the resolution the 420 had.
Eventually supply and demand market forces take over and the imagery becomes worth less and less. Add to the dog pile the notion of people willing to give their content away for free so that they can say they have been "published" or in hopes of getting "more business" and you have a recipe for destruction. One more layer to make it truly gloomy? Working photographers struggling to make ends meet in this harsh economy begin to under-cut each other's bids to get work.
All that adds up to an acceleration of inexpensive photography to go with the relatively inexpensive gear.
CNN's iReport and the like go even farther to destroy the notion of a working photojournalist. Why pay for the cow when the milk is free?
Sure, I'm a Flickr user. But I reserve copyright on all my images. Many don't and leave their work open to Creative Commons. Others give their work to Getty in an over-saturated stock photo market.
What's the future of photography? I don't know, but I'm thinking of buying a bunch of silver gelatin paper from Europe since it's fading so fast here in the US, finding a sweet Leica enlarger at a garage sale and preparing for the rebirth of traditional process.
9.23.2008
Subscribe to:
Post Comments (Atom)
No comments:
Post a Comment