It's a unique look into the mind of a journalist that's been on the front lines probably too long but highlights what it takes to be there in the first place. The best portion from the piece as a photojournalist:
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Among his maxims was that it’s one thing to film a soldier firing his weapon, but it’s a whole other thing to shoot the expression on his face as he does it.
“If you think about it, to get that expression on his face, what do you have to do?” Ware asks. “You have to break from cover and expose yourself. You have to get in front of the man who is shooting and being shot at. Because that’s where the story is, in that face.”
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